The team here at Laney has always been at the cutting edge of amplifier innovation and with LA•IR, they’re doing it again. LA•IR is high-quality cabinet emulation using advanced impulse response (IR) filtering. It’s a HUGE win for the modern musician who wants to create smaller rigs and gig without a cabinet, or even create an ampless guitar rig. Found in the Laney LFR-412, BCC LOUDPEDALs and the new Lionheart Foundry combos, this technology gives you flexibility, precision and ease of use for players who want studio-quality sound in a live or recording setup without having to drag cabinets up and down stairs… and as Simon Fraser-Clark here at Laney always says, “it’s your sound without compromise!”
But what makes it so good? Why should guitarists use it? Why will they love it? And can analog gearheads like me, make the change? Hint: I did, and I loved it!
In this post we’ll be looking at what the Laney LA•IR is, its benefits, how it works in Laney products and gives you some insights from its creator with an exclusive interview with James Morell from Laney.
Laney LA•IR Technology (Laney’s Advanced Impulse Response) or Laney LA’IR, is an advanced cabinet emulation system that uses 56-bit Finite Impulse Response (FIR) filters to replicate the sound of a real miked-up speaker cabinet. Unlike traditional analog or basic digital cabinet simulators, LA•IR employs advanced digital signal processing (DSP) for accurate tone reproduction.
So what does that mean for a guitarist like me and you? Unlike traditional cabinet simulators which use analog circuits or basic digital processing where certain frequencies can be affected by the analog path, LA•IR uses advanced DSP (digital signal processing) to exactly replicate the sound and feel of a miked-up speaker cabinet. You get the exact sound you want, every time!
Pictured: The EQ features on the Laney LA•IR app
I spoke with James Morrell, one of the brains at Laney behind the LA•IR technology to elaborate on some of the key benefits – take a look!
Question: James what inspired LA•IR and where do you see it going in the future?
When we were developing the LFR-412 we were looking at most common use cases, we saw most users were using Amp modelers, such as the Quad Cortex, Axe FX and Kemper etc. Almost all of them used IR’s for cab emulation, eating up precious DSP blocks. We thought it would be a novel idea you could load your own IR’s into the LFR-412 and alleviate some of the DSP load. Then we realised the IRs were much more versatile and could be used with even more input devices, giving the users more options, and thus after some development LA·IR was born. We then made it into our standard for IR loading in our products.
In terms of the future, I would like to see us integrate it more into future products, making it more versatile, easier to use and improving on the technology for each iteration. I want to make it a stamp of technology which users get excited to see on a product.
Question: James, what’s the difference between LA•IR and traditional IR loaders or cab simulators?
In terms of the IR (Impulse Responses) there is no difference between ours and the more traditional IR loaders and cab simulators, they work in the same way and can even use the same IR’s. The main difference comes in the application on our DSP devices, we use 56-bit FIR calculations to increase dynamic ranges and reduce truncation or overloading of input signals. And because we do this on bare metal utilising single cycle instructions, it means the latency is super low!
Well, there are tonnes of benefits of LA•IR, but perhaps the 5 biggest benefits of LA•IR are:
One of the best things about LA•IR is that you don’t need external IR loaders, so plug and play without sacrificing tone. With IR processing on board, you can have a consistent, reliable sound without lugging extra gear. Whether you’re using the LFR-412, a BCC Loudpedal or the Lionheart Foundry, LA•IR gives you a studio-grade cabinet tone right out of the box.
For players who like to try different cabinets, LA•IR allows loading and customising impulse responses. This means you can switch between virtual cabinets, adjust mic placements and tweak response characteristics to match your playing style. With Laney’s app, you can fine-tune in real-time, it’s a must-have for musicians who need flexibility – especially session musicians or those who play in a bunch of different bands.
One of the benefits of LA•IR technology is low latency and high-fidelity audio processing. Because all the cabinet emulation is done onboard the amp or speaker you get instant response without the latency issues that come with external IR loaders. This makes LA•IR equipped gear perfect for live performance and studio recording where timing and tone are critical.
Unlike other digital amp modellers or multi-effects pedals, the Laney LA•IR does all the work internally, so you can free up space!
Many digital amp modelers and DAW-based recording rigs rely on computer processing power to run IRs which can seriously drain system resources and introduce latency. LA•IR eliminates this problem by doing all the processing internally so your amp modeler or digital rig can run more efficiently and you can actually switch off the amp modellers and just use a LA*IR loaded pedal or cabinet instead. This means smoother performance, better tonal stability and you can seriously reduce the stuff you take to gigs and studios.
Let’s face it, we want smaller rigs when we go digital right? With LA•IR you can go cabinet-less or amp-less depending on your gear. For example, BCC LOUDPEDALs lets you go directly into a PA system, DAW or front-of-house mix so you don’t need a traditional amp or cabinet as you have the LA•IR technology built in! This means portability without the cabinet and cabinet tone through IR processing. Guitarists who want an ampless rig for live or studio work can now have the sound of a full cabinet without the cabinet itself.
Pictured: The IR options on the Laney LA•IR app
Question: James, how does having LA•IR on board an amp or speaker reduce latency compared to external IR loaders?
We run LA·IR bare metal directly on our DSP, this removes any bloat and latency induced from operating systems or schedulers. Being tightly coupled to the ADC & DAC this allows us to reach a roundtrip latency of less than <500㎲, which we think is pretty good.
LFR-412 FRFR Cabinet – The World’s first 4×12 FRFR cab!
A full range, flat response (FRFR) active cabinet for guitarists using amp modelers. LA•IR allows you to load and switch IRs seamlessly.
Pictured: The Laney LFR-412 FRFR Cabinet
BCC LOUDPEDALS
Pictured (l-r): The Laney LIONHEART-LOUDPEDAL Developed in collaboration with fusion master Tom Quayle and the IRONHEART-LOUDPEDAL – developed with virtuoso Martin Miller
These amp-in-a-pedal units feature LA•IR cabinet emulation perfect for direct to PA or recording setups. Check out the full Laney LOUDPEDALS buyers guide here, and see why they’re some of the best pedalboard and pedal amps in the world.
Pictured: The Laney Lionheart FOUNDRY LFSUPER60-112
The laney Lionheart FOUNDRY solid state combo amplifiers are arguably some of the best most affordable solid state amps on the market today. Giving you that classic Laney tube amp sound in a solid-state package with LA•IR processing for seamless tone without extra gear. Note these IRs are non-editable.
Question: James, why do the Lionheart Foundry combos have non-editable LA•IR and the LOUDPEDALs have custom IRs?
It comes down to balancing price, features and quality. We wanted the Lionheart Foundry combos to be accessible at a lower price point but with high quality features and sounds. In the real world you can’t have everything at a low price, so we ultimately decided to remove the USB and put the cost savings into the speaker and preamp. We thought this was the better area to focus on, you still get the high quality LA·IR with our hand picked Laney IR’s, and the speaker and preamp is the best it can be.
One of the biggest benefits of the LFR-412 and BCC LOUDPEDALs is the app which allows you to load, tweak and manage your IRs. But many users don’t know what it can do.
The LA•IR app offers a range of powerful features that you can actually tweak and set up on your phone, tablet or computer, including IR selection and management, allowing users to load custom IRs to shape their ideal tone. With EQ and balance controls, you can fine-tune the output of your sound to suit different playing environments, whether on stage or in the studio. Additionally, preset management lets guitarists like us save and recall their preferred settings, making it easy to switch between tones for different gigs or recording sessions.
It’s also compatible with Windows and Mac! Download it here to check it out: https://software.laney.co.uk/LAIR-LFR/download.html and we update it regularly too!
Question: James what were the challenges in developing the LA•IR app and are there plans to add more features?
One of the biggest challenges in app development is getting it to work on multiple devices! The app will work perfectly on some machines and on others it won’t display correctly, or have strange bugs, it’s a steep learning curve! We are a very small passionate team, of course we would love to add more features in the future, but it will take some time!
LA•IR technology provides seamless cabinet emulation for guitarists in various playing scenarios. Live players achieve consistent, high-quality tone without miking a cab. Studio musicians benefit from professional-grade emulation without complex mic setups. Amp modeler users experience real cabinet warmth, blending modern convenience with classic cab tones.
For gigging musicians, getting consistent tone on stage has always meant miking up a cab, which brings room inconsistencies, mic placement issues and bleed from other instruments which can destroy your tone if the sound engineer isn’t in a happy mood to deal with it. With LA•IR you can bypass all that by running your signal directly into the PA and still get the warmth and character of a miked-up amp.
For example, a guitarist using the BCC Loudpedal can plug straight into the front of house (FOH) without an amp or cab on stage and have a lightweight, hassle-free setup with zero compromise on tone. This is especially useful for silent stages, in-ear monitor setups and fly rigs where on-stage noise needs to be minimised.
Recording great guitar tones usually requires a well-treated room, high-end microphones and precise mic placement, which is a setup that can be time-consuming and expensive, because we don’t all have access to huge studio budgets, right? LA•IR technology simplifies the recording process,and allows direct recording with studio-grade cabinet emulation that captures the feel and response of a perfectly miked amp.
For example, a session guitarist working on multiple projects can switch between different cabinet IRs instantly using the LFR-412 or BCC LOUDPEDALs, saving time and get mix ready tones without extra gear. Whether tracking high gain rhythm guitars or shimmering cleans, LA•IR ensures your recorded tone is polished, professional and room noise free.
You can even load your own favourite IRs into the IBCC-LOUDPEDAL-IMM with the free LA·IR app via the USB-C connection. The USB-C connection also features audio out which means you can connect it directly into your DAW.
Many guitarists have moved to digital amp modelers like the Line 6 Helix, Kemper Profiler or Neural DSP Quad Cortex which offer incredible flexibility but lack the organic, 3D feel of a real cabinet, unless of course they use the Laney LFR cabinets, which we think are the best FRFR cabinets for the Quad Cortex and other modelers on the market. LA•IR fills the gap, gives you high quality impulse responses that capture the nuances of a real speaker interacting with a mic and room.
For example a guitarist using a digital modeler with an LFR-412 FRFR cab can load custom IRs to get the tone of a vintage Greenback 4×12 or a modern V30 cab, the best of both worlds because you get digital flexibility with analog realism. This is especially useful for players who need a consistent sound across different venues or recording sessions without the variability of physical mic setups. In Addition, With the LFR-412 you can use the LA•IR to select different IRs for the cabinet on stage and the IR sent to the front of house if you want – which is great if you want a specific sound onstage, and another through FOH.
Basically, guitarists in all playing scenarios will benefit from LA•IR, as it gives you studio quality cabinet emulation without the need for traditional big rigs. Whether you’re a touring musician, session guitarist or bedroom player, LA•IR gives you the versatility and tonal consistency modern musicians demand and save you from dragging around cabinets if you don’t want to. It’s like the ultimate cheat code to getting incredible tone on a smaller, ampless or cabinet-less rig.
Pictured: The selectable cabinet options on the Laney LA•IR app
Question: James, do you think LA•IR is more for live players or the studio world?
I believe it’s aimed more at the live player, the gigging player who wants to ensure he has the same front of house sound at each venue he plays at. Someone who wants a great sound in their headphones when practicing. Yes it can be used in the studio, but nowadays most studios are equipped with amazing preamps, and DAW’s that can use plugins to sculpt perfect IRs from the greats such as Two-notes and Aurora DSP, (who we’ve both worked with!). And of course you can then export those IR’s, load them on the LOUDPEDAL and use them whenever and wherever.
Laney has created a tough and flexible IR system that gives you high quality cab emulation that ANYONE can set up in minutes. Whether you’re a touring musician, studio player or bedroom warrior, The Laney LA•IR means you always have the best tone at your fingertips.
With integration into Laney’s top-of-the-line products, onboard processing for low latency and custom IR options LA•IR is going to be a must-have for modern guitarists who want consistent sound at ANY venue or studio, what’s not to love?
Check out the Laney website to see the full range of amplifiers or visit your local dealer to try next-level cab emulation, I can almost guarantee you’ll want to make the change or use both, just like I did!
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