The Laney LA-Studio brings the best of both worlds when you need the best tone available. Blending the sounds of the iconic original Laney amps of the 1960’s but bringing the useability that a modern amplifier offers.
You will have heard that line a million times, that an amp is ‘bridging the gap’ between vintage and modern tones, but with the LA-Studio, this isn’t just a snappy PR line, the LA-Studio is equipped with the incredible technology from Two-Notes, the clever ‘Captor X’. This offers the user a vintage valve amplifier that doesn’t need a loaded cab when using, and it has the DI-Out capabilities provided by the Two Notes technology, but the real game changer is the incredible ‘Dyn-IR’ cabinet emulations that live within six positions to the rear of the amplifier.
Why is this such a game changer? Well what the six positions on the back of the head offer you are six programmable cabinets of your choice that can be selected and programmed into the LA-Studio via the Two Notes software library.
But what does that mean? It means you can select six of literal thousands of choices for mic placement, room design and the cab of your choice. Where this becomes really useful is in predominantly two situations: in a live gig where you can’t mic your cab up or in a studio with no live room.
Option one; if you are at a gig where the signal to the PA is going direct, and no cabinets are being mic’d up, then you can use the DI-Out to send the signal that you have set via the six options, direct to the PA.
Option two; if you are in a studio and there is no live room to get a loud cab mic’d up properly, the LA-Studio does all the hard work for you. You get to hear a perfectly positioned mic placement and six of them on the presets to the rear of the amplifier.
This means you can take a Laney 4×12 and have it sat in your dream large room, perfectly positioned all via the clever technology on the rear of the amplifier linked into your DAW of choice.
This is why the LA-Studio is the producers choice. From room to stage it provides some of the best tones you can get. But don’t take our word for it, believe the people who use it:
Tom Dalgety – Ghost, Pixies, Rammstein, Royal Blood
Paul Stacey – Oasis, Black Crowes, Noel Gallagher’s High Flying Birds
Gethin Pearson – Bloc Party, Badly Drawn Boy, Charlie XCX
Pete Hutchings – Skindred, Foals, Florence & The Machine
Jordan Rakei – Tom Misch, Russef Dayes, Loyle Carner
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