Have you bought a DB500H? Want a totally free, full working version of the amazing DIGBETH-PLUGIN? Simply visit www.laneyamps.com/warranty, register your DB500H and follow the instructions in the email you receive. It’s that simple. The Laney DIGBETH DB500H is a stunning 500 Watt Bass head combining a classy vintage look with ultra-modern functionality. It’s no wonder that this is the bass amp of choice for the legendary Nathan East who relies on the DB500H’s range of FET and Tube tones to deliver night after night at some of the world’s biggest gigs. Nathan East knows great tone and demands it wherever he performs…Whether that is with Eric Clapton at the Royal Albert Hall, performing at Ronnie Scotts, or on the road with his jazz quartet, Fourplay. Nathan East depends on the DB500H for beautiful tones and the DB00H is dripping in them! The Laney DIGBETH DB500H is powerful, portable and has already become the new standard for bass players like ‘While She Sleeps’ bassist – Arran McKenzie, McFly bassist - Dougie Poynter, Tom Odell’s bassist- Max Gough, Dan Pugsley (Skindred) Bob Hardy (Franz Ferdinand) Kalan Adam (Attila) Charlie Fowler (Mahalia) Rudi Creswick (Tom Misch) and many more. So whether you play blistering Metal, jazz Fusion or anything in-between, the Laney DIGBETH DB500H has you covered. Don’t take our word for it though…listen to all of the customers who love the DB500H for its punchy tones, ample headroom, and user-friendly controls. Isn’t it time you joined our family too?
Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.
FX loops are important as they allow you to add effects to the signal path in a specific place between the pre-amp and the output section on an amplifier. This is where FX loops are important as it allows you to put time-based FX after the distorted pre-amp section. For example, delayed distortion sounds different to distorted delay – try it.
Headphones socket with level control
Balanced DI output with source switching
The XLR-DI out allows you to connect your amplifier to a PA system or recording interface, without the need for mic-ing. A ground lift switch allows you to reduce or remove any unwanted hum due to earth loops.